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Posts Tagged: reviews

"Do not put unauthorized cinnamon on the goddamn meeting table! That’s all the fuck we need."

-

Dan Dority in the Deadwood episode Unauthorized Cinnamon

I finished Deadwood a couple weeks ago and I think that’ll be the end of gorging on past TV shows for the moment. Deadwood is an excellent show, but an ever so minor step below the following shows I truly love: The Wire, Breaking Bad, Mad Men, Freaks and Geeks and Community. However, the show was hitting its stride for me and had the potential to ascend if it hadn’t been cancelled due to HBO office politics. It’s definitely worth watching even with the limp and impotent ending, but it could of, and should of, been so much more.

Seeing Deadwood after Justified is interesting, because of the similarity in Timothy Olyphant’s characters in each. I may actually enjoy Justified more at this point, but I have more admiration for Deadwood. As with Boardwalk Empire or Mad Men, the quality execution of an intriguing period and setting is enthralling on its own.

Rating: 4/5

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I spend a great deal of my time consuming media. Considering the amount of time devoted to this pursuit, it seems only natural to record my thoughts here. Often I see something truly fantastic and then let it slip off into the ether. I’m going to change that now, starting with 13 Assassins, Breaking Bad and The Wire.



“If you value your life, you’ll die a dog’s death.”


13 Assassins

Before 13 Assassins, the Takashi Miike films I’d seen were Audition, Visitor Q and Three… Extremes (this is actually three shorts with only one his). These certainly aren’t for everyone, and I doubt I’ll ever watch any of them again. Audition is my favorite of the three by far, with Visitor Q being too bizarre and his short “Box” in Three… Extremes being so forgettable I can’t recall anything about it (siamese twins?).

I heard nothing but good things about 13 Assassins and its nearly hour-long final battle. It didn’t disappoint. The premise is that a group of 13 samurais are enlisted to kill a sadistic lord, who is the brother of the current Shogun and son to the former. You truly despise the villain and his continued arrogance fuels your desire for his downfall. The final battle is exceptionally well done. It doesn’t suffer from hyper-editing or too many close-ups that cause action scenes to become incoherent messes. So, see it! Also, TOTAL MASSACRE.

Rating: 4/5



“So no matter what I do, hooray for me because I’m a great guy? It’s all good? No matter how many dogs I kill, I just, what, do an inventory and accept?!”


Breaking Bad

Jesse Pinkman, you break my heart. This show has been, and continues to be, phenomenal. It’s beautifully shot; it constantly rends my heart; badassery abound. I love it and I’m overjoyed it now has a defined end point so it can be planned out thoroughly and avoid pulling a Lost (or a Weeds for that matter). Don’t let me down!

Rating: 5/5 for the first three seasons and all of season four so far (through nine episodes).



“How you expect to run with the wolves come night, when you spend all day sparring wit’ the puppies?”


The Wire

By my estimation The Wire is the most critically acclaimed television show… ever. I put off starting this show despite the critical acclaim, constant love and references to Stringer Bell I never understood because of the commitment. 60ish hours is a long time, and full-hour shows on HBO feel daunting (it is compared to that 42-47 minute stuff!).

Everyone was/is right. The show lives up to the hype and then some. Before starting The Wire, I’d watched the first season of Treme (and quit shortly into season two) and Generation Kill. Treme became not worth the effort, and Generation Kill was good but not great. These experiences with David Simon left me wondering if I’d feel lukewarm about The Wire too.

I started with The Corner, since I heard it was sort of the predecessor to The Wire. It was good, and seeing the real individuals it was based on at the end brought it all together. I’ve watched the first four seasons of The Wire, with discs one and two of season five coming on Monday. Omar Little is my favorite character because of quotes like the one above (he must be everyone’s favorite, right?). The show does an excellent job of feeling realistic, and showing the warts of every character. No one feels two-dimensional. The characters are actually too warty to be realistic in my view, but maybe people in the Baltimore area are just terrible.

Rating: 5/5 so far, but you’ve already seen it all anyway.



This post was waaaaaaaaaaaaaay late. I watched 13 Assassins as Hurricane Irene was passing over, and I wanted to make this post shortly after. Oh well, better late than never.

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Written by: Eric Shanower | Art by: Skottie Young

While I thought the art of the first issue was great, I didn’t really think the writing lived up to it. As I recall though, there wasn’t a lot of it in the first issue anyway. However, Eric Shanower’s work in this issue is a cut above. I loved this issue from beginning to end. It’s very whimsical and fanciful. Reading it made me smile, I mean, what more could I ask for?

The Scarecrow, Tin Man, and Cowardly Lion all look absolutely fantastic. For me, Skottie Young’s art makes these characters all the more endearing. I also thought the old crow’s bushy white eyebrows and sideburns to go with his glasses were an excellent touch. The world they’ve created is gorgeous and I can’t wait to see more of it.

For me this miniseries just went from lukewarm to hot. Pick it up!!

Story: 5 | Art: 5 | Overall: 5

Patrick Stedem

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Akira

For all the hype from Vincent and Justin, it really didn’t impress me much at all. I’ll probably still read it if it’s re-released before the live-action movie though. | 3/5

Quantum of Solace

I loved Casino Royale, this just didn’t live up to it at all for me. I have high hopes for the next one though. | 3/5

The Visitor

Post-9/11 immigrant drama, really heart-warming, heart-breaking, and fantastic. | 5/5

Primer

There’s a lot to like and some of it is executed extremely well, especially for only $7,000, but I do wish it was more fleshed out. Looking at a very large timeline after watching it cleared some things up for me, which is both good and bad. Good because I was so interested I wanted to know more and bad because I had to look it up to fully understand. | 4/5

Young@Heart

A documentary about the elderly singing rock music. All the chorus members are very endearing and that Fred Knittle sounds like Johnny Cash when he was old. | 4/5

La Dolce Vita

Very long and feels that way. Too philosophical for my taste. Seeing how it referenced in popular culture is interesting though. | 2/5

Kung Fu Hustle

The closest thing to real-life Looney Toons that I have ever seen, for that alone it’s worth seeing. | 3/5

The Diving Bell and the Butterfly

A beautiful movie above all else. It hits the whole spectrum of emotions, at times hilarious and always poignant. | 4/5

The Bank Job

I always find Jason Statham likeable and this film is a cut above pretty much everything else he’s ever done. That the whole scenario is at least (mostly) true makes it all the more interesting. | 4/5

Bullets Over Broadway

A Woody Allen film involving a pretentious writer and the mob. Funny throughout, though I think the first 3/4’s are much better than the final 1/4. | 4/5

Patrick Stedem